I’m thinking of my family a lot this week and there have been some similarly scrappy, traditional log cabin quilts floating around the modern quilting universe. But mostly its thanks to Debbie at A Quilter’s Table and her easygoing blogging style (not to mention completely uplifting and validating tendency to comment on nearly every post I make) for inspiring me to just jump in to blog land when I have a few spare moments. I saw her link to Scraptastic Tuesday and immediately thought of this quilt only to realize I’d never blogged it, so here it is.
Many of these scraps pre-date even my earliest quilting days and were inherited from my mother or even my grandmother. The last move we made in BC in 2010 saw a lot of these scraps off to new homes, but the ones I’d already cut into 1 1/2″ strips survived and eventually saw a finish in 2012, when I gave this to my stepfather for Christmas. These classic log cabin blocks still entertain me and I love how many different vintages the fabrics span.
Modern sampler blocks
We are halfway through the Modern Sampler Quilt Along and I couldn’t be enjoying these blocks more. I was relieved when I noticed that Caitlin’s blocks are also not all the same sizes, I figure that is a problem for future me, especially because the silk may fray as they wait in the cupboard for more blocks to join them. The new “F” block is in the middle, and this block is definitely my favorite and I was looking forward to making it even before I found out about this quilt-along when I first found the Yoskiko Jinzenji book at a local bookstore and couldn’t resist it.
In another avenue for procraftination, I decided to embark on the Seattle Modern Quilt Guild’s Mini Mini Quilt Swap to add to my divine collection of our guild’s fine workmanship. But wait, did I read that right? Perimeter no greater than 24″? That means 6×6 or 5×7 or maybe an ambitious 2×10 mini-quilt? I decided that I would experiment with Season Evan‘s Mighty Lucky Quilting Club February challenge (actually I might have played with this more than once, the other result is much bigger and for a later post). She is a guild member I am extremely lucky to have a quilt by, maybe someday I will even post a picture, it goes great with the yellows in the new house. Anyhow, here is the back of my mini mini quilt (I’m not sure if I should reveal the front or not). Those are teeny tiny Cotton and Steel linen bunnies. I have spring on my brain, just not my homework.
Ok, I’m really heading back to writing a paper now, right after I walk my lovely patient dog.
I finished this quilt the day before Valentine’s Day last week, right before I got into a funk about the President’s Day long weekend. The heart HST layout is from the Decemberists poster my daughter brought back from the concert at Marymoor this summer (thanks for the tickets, Becca!) and everything about their last two posters is very folksy and quilty. My neighbors seemed like they were cut from the same cloth (they play folk jazz music and generally make us feel old). At any rate, they welcomed their son into the world on labor day weekend after I’d already pieced most of this heart. Needless to say, teaching keeps me very busy, as does grad school and so I didn’t get this puppy quilted until the Winter Break, and I finished binding and washing it last weekend.
The blues that hit me on President’s Day had more to do with my abysmal lack of exercise combined with the demands of both my teaching a new semester, not getting enough time between semesters to plan, and then losing the full Midwinter’s break week off due to the Seattle labor action earlier this year. Strangely enough, I decided back in September not to go to Quiltcon this weekend even though I thought I would be finished with this pesky Master’s degree. While I am delighted by the photos from friends who are there, I am not sorry not to be there, especially because I have a paper to finish. I will celebrate finishing grad school with hopefully a proper week off in February and a trip to lovely Georgia for Quiltcon East in 2017. However a great workout with my fabulous children and viewing the gorgeous photos all weekend is a great pick-me-up!
I started out trying to keep the grainlines straight on this block so the rightmost parts of the nine-patch were cut with templates before I decided it didn’t matter, but I think either way works just depending in the fabric pattern using templates (I just photocopy the pattern from the book and then cut out the shapes. This is also what I’m doing for Block F, which is my favorite, so I hope I finish it in time.
Not only has this quiltalong inspired me with a whole lot of joy when I haven’t gotten a lot of sewing time lately, but its also got me blogging! Unfortunately this iPhone photo is unedited and terrible, sorry Salty Oat but thank you for starting this! I also really love seeing everyone else’s blocks on Instagram under the #modernsamplerquiltalong hashtag and I regret that I can’t make two each month.
This month has been busy and I have a big exam tomorrow, so of course I couldn’t wait to sit down and make another silk Modern Sampler quiltalong block!
This month I will not be making two, so this one will have to do with its imperfect miters and all. Thanks Debbie and Gwen Marston for the reminder that quilts shouldn’t look like robots made them anyways. This block went together fast for me and it was the first block where I used different silks for some of the sashing pieces.
The day before our Christmas celebration I also turned two of my block into pillows for my couch. I love them and now I can’t wait to finish the sampler so it can join the pillows on my couch. It feels good to sew something for myself. Especially when the month has been too busy for me to sew much at all.
I just can’t resist making these this week while I procrastinated yet another paper that I was hoping to submit yesterday…I will probably even sew a second block C this week while I’m out and about. I got lucky and found by one 35 year old spool of silk thread almost accidentally and it was trying to tell me to start the applique block.
I didn’t think I would need a practice block for this one, but the background is pretty relatively dark and now the off-centered-ness of the cup is bugging me. I may have to try handpiecing the curves instead of using a solid background piece on the next one.
I also made the more precise version of Block B. It isn’t perfect but that’s ok. In fact I like my first one better now too. I think I may have put a filter on this on instagram and that’s why the other one seems darker.
I have had a busy busy year. I can’t believe that despite this, I started sewing Yoshiko Jinzenji blocks from her Modern Sampler after I picked up her book at Third Place books. Although that wasn’t quite what happened really. I picked up the book and longingly savored her minimalist composition, and then put the book away in my neglected new sewing room.
And then Debbie from my guild and A Quilter’s Table published her Block A on Instagram and I instantly recognized the pattern from the book I’d just bought. I became obsessed. I clean my sewing room looking for my Marimekko scraps from Pirkko. Never found them, but in my newly cleaned sewing room I began cutting into all my silk selvedges and I cannot stop loving this project.
I even finished another assignment toward my Master’s degree yesterday (I passed, only 5 credits to go!) so that I could make my second block A as a reward. And now tonight I’m making another “practice block” for Block B. I may wind up foundation piecing the official one, but I am just loving this project. Thanks again to Debbie and Salty Oat for hosting this quiltalong even if I never get past Block C (although I really want to skip to F…)and even my fabulous Seattle Modern Quilt Guild secret swapper Jonna (bespokeoutlaw) for inspiring me in this rainy November week.