High School Geometry Arts Integration at SWS

This past year I completed my first Creative Advantage residency with two high school geometry classes at Seattle World School (SWS). Eva Leung was the lead contact on this project. She and I were familiar with each other as colleagues when I taught at SWS, where we both were mentor teachers in the Teacher Leadership program, and we were on the same 9th grade & newcomer teams during the 2020-21 school closures.  Eva is an amazing teacher and Fullbright Scholar who went on leave a year after I did.  We are both familiar with the diverse student perspectives at the school which is a unique program for immigrants and refugees in Seattle schools. I am taking great care not to share any photos without permission so unfortunately you will not see any photos with student faces and it means I missed getting a photo of Eva! Emily was the other teacher I collaborated with at SWS. She brought in a beautiful quilt her mother had made which was a great example of sharing textiles from home to help students connect with them as cultural artifacts. 

Eva was the leader I needed when it seemed like the school district was unaware of the limited access our students had to technology during the abrupt transition to online learning.  She had organized a home visit schedule when the schools closed abruptly before Spring Break of 2020 and created a database for keeping track of students, their family contact information and technology or material supports they needed. We spent one day a week or more delivering wifi hotspots, library books, or even groceries and diapers to our community.  In the early days of March 2020, we visited homes in N95 masks and latex gloves to give side by side instruction on porches and stoops to show students how to use their new laptops to login and navigate the online learning environment. Some of these students were so new to the US school system they had not even been able to begin attending in person before the closure!

Returning to SWS this past fall felt like coming home.  I met with both HS Geometry teachers to discuss the scope of my project, our budget and timeline.  We agreed to start with a simple activity to warm students up to using hand-sewing needles with a cardstock embroidery project we jumped right into on the first day.  I have HS teaching endorsements in English Language Learning, Math, Career & Technical Education, and Sciences including Earth Science and Physics, so I was delighted to integrate my full STEM/STEAM background in my first school residency as a fiber artist!  I liked this project because it was accessible for low language comprehension but previewed coordinate plane geometry, uniformity of stitches and units such as the ¼ inch used in quilt measurement.  It was surprising to recognize how much learning takes place when the cognitive load is high but the language or vocabulary are not creating a  barrier to learning. Students executed a stepwise series of lines of gradually changing slope that embodies key elements of the functions of calculus while making beautiful curves.  They also learned how to conserve thread, thread needles and how to avoid rethreading them too often! The cardstock embroidery project was engaging and gratifying:  The students were able to complete the project in a single class session which hopefully prepared them for my return and introduction to quilt-making 2 weeks later.

This set a great foundation for our second phase, the reflection, rotation, and dilation of a simple shape designed by each student and raw-edge appliqued onto one of 4 background squares.  The final phases was maintaining a consistent ¼ inch seam line to sew the project into a four-patch block.  Most quilters know this as a simple starter unit for patchwork beginners and it fit the students range of skills and languages very well.  The best part was looking around the room and seeing every student working and talking (even teaching each other!) as they sewed.  I was busy attending to individual students but I was honored when I looked up and realized the principal of the school had snuck in and was snapping photos too!  This was an authentic hands-on learning opportunity that was also rich in somatic healing and socio-emotional support.

But the best part is about to be delivered!  Another colleague at SWS was expecting a baby and Eva’s students were in her English class and agreed to contribute their blocks to a baby quilt project.  I had made several baby quilts for other staff at SWS and it made me very happy to make one last one.  Here is a photo of my presenting it to the teacher the day she went on leave.  I am finishing the binding this week and will update with a baby photo when I make the delivery to their new one month old baby!

Heat Birth

So many milestones for me so far this year: its been rocky and I’m navigating a lot of changes as I approach 50 years old. I was inspired to make this little quilt from several color and contrast studies I made from a basket of unwashed Kona cotton scraps I bought off a guild member. I’m sharing evolution photos because that’s what blogging is for, but when I decided to connect the main color blocks with some other scraps and backgrounds, I was definitely thinking of my evolution through 3 “phases” of my life. As I came up with a composition I liked (no, the “3” was incidental but several people have noticed it and I agreed it referenced my abstract concept enough that I left it in there to tease out a script), I thought of the degeneration of entropy and heat death just as I was beginning to experience my first mild heat flushes – not quite warm enough to be uncomfortable, but definitely something new!

Here are some of the other color studies I played with from the scrap box I got from Emily Cier – there were many log cabin center squares in white and oyster, but also some reds and greens, and then mostly the box was 1.5″ strips in a variety of colors.  I used every scrap of a discolored Kona Cerise scrap at the bottom of the box except what I trimmed from the top edge after quilting. Several retreat buddies have seen the strips go into several other projects but its tricky to work with them in other projects because I usually pre-wash my fabrics but these are skinny so I just press a lot!  This 33×43 quilt is a stand alone scrap quilt, all Kona cottons mainly from this one scrap stash, but I think the Kona red is Ruby or Pomegranate from another guild member’s unwashed de-stashing when she moved to NY(thanks Deb!).  Here are more pictures of the other color studies I started last January including a couple of the pieces I incorporated into this quilt.

Quilting/Teaching

Now I’ve been a public school teacher for most of that time I’ve been in Seattle, but I’ve begun to transition to full time artist. I just signed a lease on a new studio space which I hope brings more to share soon. I will be in the industrial district very close to the trainswitching yard so I’m positively thrilled about working with more trains and my Intermodal series. Check out this quilt inspiring crane yard I found nearby!

I’ve also been trying to think about what the creative stretch is between marketing, teaching, and making art.

If I need to offer classes I want people to come away with joy and inspiration so I like the idea of nurturing creative expression rather than following a pattern but I also am seeing my specific styles or methods become something I’m ready to share. It may have been pre-emptive but this morning I submitted two workshop proposals for Quiltcon 2024, mainly just to get myself to commit to writing a pattern and thinking of myself as a teacher in the quilting world again. This recent finish is a quilt I mostly hand-pieced to create the tesselation-like crows I wanted to memorialize from my trip to the Schweinfurth. My idea turned out so well and was such a portable project I’ve already been working on another one I started while travelling in December.

I’ve also been keeping busy doing actual public school work this month but I’m also excited to be developing some ethnic studies math curriculum I’m co-teaching this week and I have never enjoyed teaching and planning more. I guess its a sign I should keep going and prepare for rejection in my new endeavors.

Beach Jeans & Trains

Northbound/Eastbound Empire Builder Amtrak Train viewed from the beach

Shoreline is home to a gorgeous Shoreline that includes the Richmond Saltwater Public Park with beach access, hiking and exercise trails, playground, picnic areas and seasonal off-leash dog areas.  I collected 20 pairs of jeans donated during my residency and co-created a community quilt that is still in progress, I will update this page with a finished photo hopefully later this month.

I completed 4 small pieces during this residency in addition to starting two larger quilts, one of which is part of the community quilt public engagement project, using deconstructed recycled denim, laser cut collage elements and hand embroidery to tell stories about the park visitors.

Intermodal I (Ghost Flower Pocket) 2022.  20 x 14
Intermodal II (Port of Everett) 2022. 10.5 x 10.5
Intermodal III (Landfill Supply) 2022. 15 x 33
Spieden 2022. 16.5 x 34

Artist in Residency grants provided by the City of Shoreline and King County 4 Culture

Summer Essence

My summer was essentially relaxing, but frought with anxiety and of course, rainless sunshine which is especially rare in Seattle, particularly in July. Instead we got the national news about the “heat dome” and my family retreated to an air-conditioned hotel on Pride Sunday.

Pride Hotel was conceived then, but it was Zak Foster’s prompt to make an “unblock of the month” that inspired me to finish piecing it and turn it into a mini quilt. It seemed too glaringly bright in white so I added a reverse applique layer of silk organza. I have been making a lot of mini quilts lately while I work on a lot of UFOs with the hope of being more prolific and entering more shows in 2021 and beyond. Wish me luck!

Memory Quilt Study

The time I’m finding for hand-stitching in 2021 is making me really happy. It is color therapy while resting my eyes from screens all day, sometimes I even sew while watching. I have two more traditional hand applique projects, one I started in January with Alisson Glass fabrics I bought myself for black Friday, feeling blue and looking for something cheerful while supporting a small beloved business. I’m also thinking more about digital design this year and want to start playing with digital image and pattern making to supplement my little graph paper sketchbooks. I am taking Daisy Aschehoug’s Adobe Illustrator workshop at Quiltcon this weekend and thinking about playing with design and applique shapes in the future. 

I started a project from my stepmother’s clothes a few years ago and this week, with the new year of (my) ox, a burst of creative sewing energy as I take my mid-winter break, its sprawled into 4 different pieces so far. This is my smallest one, a 6×8 piece called “Kansas City” I’m submitting for the 2021 SAQA Spotlight Auction. Trying to solve the next step in this quilt project has unlocked something inside of me and I am sewing every spare minute of the day. This slightly larger 7 x 10.5 mini started out as a tester for my next and presumably last piece from my stepmother’s clothes. I will gift it to her sister even though it may be a bit weird.

Last month I decided I really wanted to also take Heidi Parke’s whole cloth improv class to satisfy my recent return to hand stitching.  I thought it might help me with the “back” for the memory quilt top I’d already made from work clothes, jeans and synthetic fabrics.  But testing out cloth, fabric and trying to substitute DMC No 8 perle (I have No. 5 and its too bulky) for visible hand applique and quilting has helped me realize I want to make two quilts, not one.  So yesterday I’m “fronted” and backed the utility quilt with the Lonestar pattern with some silk selvedge that was the perfect width.  I’m cheating and facing the backing on 3 sides, then folding it over to the “front” for the applique on the rough pocket-y side. She was a painter and wiped her hands on her hips a lot on this pair of jeans. She also loved silk pajamas so I’ve been gently deconstructing some silk french seams.

This concludes my enthusiastic Quiltcon Together post, I hope you are having fun out there. And for folks in Texas, I hope you are warm and dry and your phone is charged, I’m so heartbroken for this mess some of you are in.

Hands All Around Part 1

What does patriotism look like in a time of rising fascism?

I have been thinking about my great grandmother’s Hands Around the World block – a ten inch block with over 50 pieces = because someone saved one of her quilts that was badly damaged and I’m contemplating mending it.  I’ve found several variation of the pattern but her scale seems to be unique and that doesn’t surprise me since her quilt is a depression era design probably drafted on boxboard.  I have her daughter’s double wedding ring block drafted the same way, so I think she must have mailed the DWR to my grandmother. I have evidence of this in some letters and envelopes she sent to my paternal grandmother than include Nebraska newspaper clippings and patterns in newsprint and boxboard. The first block I made is in modern fabrics and palette but veers off the pattern so much I don’t know how I will fit 8 of these together to repair a badly harmed quilt.  But in the meanwhile I can share a baby quilt I made in 2019 from scraps and put on Hands All Around on the back.

Stars&Stripesb

I used a lot of Cotton and Steel prints I’ve been unable to stop collecting over the years, but the front is mainly scraps of solids brought together from other projects.  The improvisational piecing was therapeutic in the “before time.” My kids have repeatedly suggested time stopped existing when the COVID pandemic began almost exactly a year ago…but this quilt was made when time still existed and I was very very nervous about our incompetent, narcissistic president and his cronies in the Senate.

Stars&Stripesf

I hand-stitched in the center of the Hands All Around block and then echoes that at regular intervals followed by a grid quilting.  I even marked most of the grid.  I’m showing off the detail where clearly the result isn’t “Square” but its even and gives an overall impression of regularity.  Everything is fine, move along. I made some little asterisk-like “stars” at some grid intersections. I can’t wait for an excuse to quilt like this again.  It was fun and easy and I also just love the orangey pinks in the C&S palette combined with my coral solid.

Stars&Stripesd

Silk Mini Quilt for a Solemn Time

Between sewing masks, trying to reach my students, and doing a lot of cooking together with my self-isolated family, it seemed like a good idea to submit another Curated Quilts Mini. “Spring Blossoms” uses my stash of silks in the ‘subtracted’ palette of silver, graphite, and soft pink. It is stitched and hand quilted with #50 silk thread I got from Red Rock Threads last year for the Yoshiko Jinzenji quilt I will try to finish quilting during this home isolation. I got this photo in the backyard today right before a thunderstorm darkened the sky.

I’m already prepared for rejection on this one, but it felt really good to dive into a hand quilting project to calm my nerves over the past two weeks of what could become many weeks of being sheltered. I used some of the silks last week to make masks for myself and family members when we go out grocery shopping even before there was a national call for PPE and medical support for mask making.  I remind you that while cotton and silk are obviously less effective than N95 masks for protecting one from COVID19 infection, they can also protect others from any infection you may be carrying (even though not 100%, although there are some sources suggesting 50% effectiveness) and as I selected a source for this post, I found WIRED has just published an article similar to my earliest sentiments.  If you want to see my ridiculous youtube video or get a copy of the pdf pattern I made for my students, send me an email, its based on a rectangle so wastes less fabric, and a healthcare worker has reported good fit with it.

I’m worried about my students, my community, my city, and my state as we enter this growing crisis. I am even more alarmed by the divided and confounding response to this crisis on a national level. Part of the therapeutic process of making this mini quilt has helped my process what has happened in New York, Florida, and Louisiana as our president failed to take advised and appropriate actions. This is criminal. I realize this is a contentious sentiment and obviously I have no desire to argue it with anyone who sees my voice of grief for lives needlessly lost as an opportunity to fight or attack others. This week, my grief and anger are fueled by the understanding that the president acts by blaming, insulting and condemning people rather than showing compassion, contrition, or concern, and it makes my role as a teacher harder.  I am grateful that I taught many of my students to sew last semester as we made a beautiful baby quilt for a volunteer, the patchwork almost entirely hand-sewn by students in 3 of my classes, with several students stitching the binding around a table almost like a quilting bee.

I am thankful that after finishing and gifting this quilt, we started another set for another baby on the way, this one may be born behind an unknown backdrop of quarantines and unavailable hospital staff. I worry about what will become of a country that is collectively entertained by watching cruelty and disaster on television but is unable to act to support neighbors, community members and strangers during a pandemic and the immediate financial crisis impacting so many families.  I think about the importance of connection, of supporting each other and making for others as I sew the next baby quilt, thankful that I am securely home, with my family, and a sewing machine, despite isolation.

Black Hole Sun

I should not have even started this last week but when saw stars in Terry Aske’s posts I took a peek at the Curated Quilts spring challenge and loved the palette.  Then I only used half of it in this very sunny mini quilt.  At first I was thinking reversal like a penumbra but it looks more like a sunflower now.  I hand quilted this during our marathon dance mom recital/dance company/high school grad/birthday/father’s day weekend.  Happy Father’s Day out there to all you quilters!20190616_145112

Resistors

I’m so happy to share a little belated post that my quilt, Resistors, made entirely for a Woman Made Gallery call for entries on the theme “Quilts + Resist” is now making its way home after being on display at the Chicago Gallery.  Thank you so much to Deb and all the coordinators at this gallery who made this show possible as well as jurors Marcia Grubb and Adelia Moore.resistors2.jpg